2016年中国戏剧热点现象述评

Review of the Hot Issues in Chinese Drama in 2016

2016年,中国戏剧在艺术创作与产业升级中取得了诸多成绩。创作上,原创新戏大量涌现,经典戏剧也不断被全新演绎、回归舞台。与此同时,2016年具有广泛受众基础的"IP"戏剧活跃在全国各地的艺术舞台,话剧《三体》等无论在票房和口碑上都获得了许多新的突破,主打新媒体互动、交互娱乐等高科技概念的戏剧样式也从前两年的"惊鸿一瞥"变为"雨后春笋",为中国戏剧创作的艺术复兴提供了很多新的路径。产业上,在"互联网+"概念的引领下,戏剧产业融入了许多新时代的运营思维,互联网众筹、网络直播等新形态的戏剧操作模式不断实践,成为改写戏剧产业的重要力量。

Many achievements have been made in the artistic creation and upgrading of the industry of Chinese drama in 2016. In terms of the creation, a. large number of newly created dramas emerged while the classic dramas are adapted and staged again. At the same time, the IP -based dramas which are welcomed by the audiences are actively performed on stages across the country. The drama the Three Body has made many breakthroughs in regard to both box office and word of mouth. The drama patterns, in which the hi - tech concepts are ~een such as new media interaction and interactive entertainment, have emerged markedly, compared with last two years. This trend provides the artistic revival of Chinese drama with many new approaches. In terms of the industry, led by the concept of ＂the Internet plus＂, the operation thoughts in the new era are incorporated into the drama industry, and many new drama operational patterns, such as the Internet crowd funding and the Internet broadcast, are constantly practiced, acting as an important power in rewriting the drama industry.