摘要
围绕当代花鸟画代表性画家,聚焦于20世纪90年代以来的中国花鸟画创作中出现的"陌生化"与"观念性"两大特质,分析总结这两类特征出现的背景、形式和未来发展趋势,探析当代花鸟绘画与社会文艺思潮的碰撞与交织,呈现90年代以来中国花鸟画艺术中的品性与特色。
There are two distinct features, namely, defamiliarization and conceptualization of Chinese flower and birds paintings since the 1990s. Through the analysis merging background, forms and the future development trend, and it summarization of the e- overlapping between modern flower and birds paintings and social literary the characters and features of Chinese flower and birds paintings since the discusses clashes and thoughts and presents 1990s.
出处
《常州大学学报(社会科学版)》
2017年第1期105-109,共5页
Journal of Changzhou University:Social Science Edition
基金
南京艺术学院基金项目"中国画与社会群体关系研究"(XJ2014003)
关键词
陌生化
观念性
花鸟画
defamiliarization
conceptualization
flower and birds painting style