摘要
在讨论美学与艺术之间关系时,二者的自我立法与独特规律自然成为这一问题的重要出发点。也正是如此,审美自律和艺术自律在西方现代美学与艺术理论史上成为审美现代性发生的重要表征。审美自律是艺术自律得以实现的心理前提;形式本体既是艺术自律的内在规定,在客观上也是审美自律在艺术美层面的重要实现;它们都是基于"人性"这一整体的理论界定,自由是它们共同的旨归。厘清二者关系可为解释后现代理论危机提供思路,更为艺术批评中"美"的缺席作出诊断。
When we are discussing the relationship between aesthetics and art, their self- legislation of unique law become an important starting point for this issue. So aesthetic autonomy and artistic autonomy in the western modern aesthetic theory and art history has become an important symbol of aesthetic modernity. Aesthetic autonomy is the psychological premise of artistic autonomy; Form is internal regulation of artistic autonomy and the important achievement on artistic beauty of aesthetic autonomy objectively; they are the theory define based on the whole ＂human nature＂ which take freedom as their common purport. Clarifying the relationship between them can provide ideas to explain the crisis of postmodern theory, and diagnose absent of beauty in art criticism.
出处
《兰州学刊》
CSSCI
北大核心
2017年第2期109-117,共9页
基金
安徽省社科规划项目“艺术自律理论的演进逻辑及其反思”(项目编号:AHSKQ2014D129)
中国博士后基金第58批面上资助项目(一等资助)“当代批评视域下审美自律与艺术自律的关系研究”(项目编号:2015M580581)的阶段性成果
关键词
审美心理
形式
自由
aesthetic psychology
form
freedom
