摘要
"自得"作为一个具有哲学、诗学和美学意蕴的范畴,其诗学内涵包括创作论、接受论两个层面。在接受论层面,与西方现象学美学和接受美学"具体化"范畴相比,两者都阐明了接受主体是具有历史经验的读者,接受过程具有鲜明的能动性和创造性,接受客体(即文学作品)在"言""象""意"层次上具有相似性。这种不谋而合也是建立在二者的差异上,即接受状态的"自然"和"悬置",以及接受目的的价值论差异。
"Self-Got" is a category which contains philosophical, poetic and aesthetic implication. Its poetic connotation includes two aspects: creation theory and reception theory. As to reception theory compared with "eoncretization" in phenomenological aesthetics and aesthetics of reception, both of " self-got" and "concretization" illuminate that the receptive subject is the reader with historical experi- ence, that the process of reception has obvious initiative and creativity, and the receptive object (liter- ary text) resembles in language, image and connotation. This happens to hold the same view which is also based on the difference between each other. Namely, the reception state differs with one " natu- ral" and the other one "suspended" , and the reception destination is different in axiology.
出处
《黔南民族师范学院学报》
2016年第6期1-5,共5页
Journal of Qiannan Normal University for Nationalities
关键词
比较诗学
文学接受
自得
具体化
comparative poetics
literary reception
self-got
concretization