摘要
以蒋兆和人物画像向乐观主义与感伤主义滑向为起点,揭示出贯穿于蒋兆和人物画像中的同情情感现象,以此去触及和认识同情情感的本体论生存现象及其表现,从而窥探蒋兆和艺术表现在差异及其同情艺术形成的历程。
In terms of the optimism and sentimentalism as the starting point, this paper reveals that the sympathetic phenomenon is penetrating into the character portraits painted by Jiang Zhaohe. The life with the sympathy as the spirit support will trap in the sentimental feeling, which leads to the situation that the lack of spirit personality with the carrier of love will overcome the hardship of fate. Namely, the art of love and sympathetic art express the different life image.
出处
《黔南民族师范学院学报》
2016年第6期92-98,共7页
Journal of Qiannan Normal University for Nationalities
关键词
爱
同情
感伤
自然主义
人物画像
love
sympathy
sentimental
naturalism
character portrait