1949年以来中国戏曲音乐研究述评

A Review on the Xiqu Music Studies in the Last Sixty Years

1949年以来的戏曲音乐研究取得了丰富的成绩,各种民间戏曲的音乐得到了系统的记录整理,每种戏曲音乐几乎都有深入细节的研究。戏曲音乐的分类框架也得以确立,不论是程云的"两分法"还是《戏曲音乐类种》的"三大类九种(套)",都试图从看似丰富繁杂的两三百个剧种建立民族戏剧音乐的声腔体系。然而六十多年来的戏曲音乐研究仍然存在着不容忽视的问题,这与"声腔剧种论"的流行和西洋音乐理论对戏曲音乐的改造有密切关系。

The studies of the Xiqu （ the Chinese Musicals） music have made abundant achievements since the foun- ding of the Republic. Researchers not only systematically organized the folk, but also setup the framework for the classification of the Xiqu music. However, most of them tried to classify the music system from varies of Juzhongs （ different types of local musicals）. As with the influence of western music theory, the Juzhong theory led to the prob- lems in this field.