黄阁紫扉元是梦,归来长赋旧家声——明正德间宰辅大臣杨廷和散曲创作历程初论

A Preliminary Discussion on Sanqu Creation Process of Yang Tinghe,a Prime Minister in Zhengde Period of the Ming Dynasty

杨廷和是明中叶南派散曲作家中重要成员,有散曲集《乐府余音》存世。他以宰辅大僚染指散曲,题材丰富,风格多样,成就可观。学界多视其曲作为嘉靖三年(1524)致仕赋闲后的乡居写意之作。经过全面梳理考订后发现,其散曲并非全都作于致仕归休之后,另有一部分作于其致仕归休之前,即正德十年(1515)到十二年(1517)丁忧闲居、丁忧秩满回京任职以及乞休回乡途中三个时段,这一重要事实,此前一直被曲学界所忽略。对比研究杨廷和不同阶段所作之曲,以文补史,以史证文,可以更全面准确地把握其作为一代名臣在"大礼议"前后的心路历程及其散曲创作旨归。

Yang Tinghe was one of the important members of south sanqu writers in the middle time of the Ming dynasty,who had a collection of works named Yuefu Aftersound. As a premier writer,his works include many kinds of subjects of different styles,but academics almost regard that his works were villeggiatura freehand ones written after the third year of emperor Jiajing. After comprehensive research it＇s found that some pieces of his works were written before that time,which can be divided into three stages,Namely,his filial period of mourning for his father＇s death during 1515-1517,coming back to the capital for his official post and the period of his way to homeland after his begging to go home. The three stages have always been ignored in the field of qu studies. By comparing his works in different stage,the authors hope to help people to understand his life experience and creation purpose more comprehensively and accurately before and after the＂ big etiquette＂when he was an outstanding official of his generation.