陈铎词曲比较论

Comparison Between Chen Duo's Ci and Qu

陈铎系明代词曲重要作手。其人词曲兼善,且作品留存数量亦甚富,故历来论者不乏其人。本文以数据的定量统计为出发点,从词曲牌调择取与所涉及题材模糊归类两角度对陈铎词曲进行比较性考察,通过比较辨析陈铎于词曲创作实践中所折射出的文体潜在意识。由比较可知,闺情题材均是陈铎词、曲重点表达的内容,一定程度上佐证了其"乐王"的风流气质。但陈铎同时于词曲创作文体区分意识较为明显。具体而言,陈铎词作涉及题材领域较为狭小,而赋予散曲以更宽泛的表现功能,其个人才性与气质怀抱主要通过散曲创作予以实现。

Chen Duo who was good at creating ci and qu was an important writer in the field of ci and qu creation in the Ming dynasty. His retained works are abundant,for which lots of scholars conduct discussion. Based on the quantitative statistical data,the paper does a comparative study of Chen Duo＇s ci and qu from the perspective of selection of the title of a ci or qu poem and fuzzy classification of subjects involved. Through comparison,the author discriminates the potential consciousness of style reflected in Chen Duo＇s creative practice of ci and qu. It can be concluded that the boudoir emotion theme is the focus expression in Chen Duo＇s ci and qu,which to some extent provides evidence for his romantic temperament as ＂king of music＂. But at the same time,it shows that Chen Duo＇s consciousness of style distinction is more obvious in the creation of ci＇and qu. Specifically,Chen Duo Ci＇s subject fields were relatively small while he gave sanqu broader performance function. His talent and temperament were mainly achieved by the creation of sanqu.