21世纪蒙古族题材电影的民族想象性建构

Ethnic Imaginativeness Construction of Mongolian Theme Films in the 21st Century

对蒙古族题材电影民族想象性建构进行历时性流变回溯,结合电影实例,运用二元对立的批评理论,从草原/城市、传统/现代、游牧/商业三个方面分析21世纪的蒙古族题材电影中民族想象性建构的主要特点和形成原因,并指出其造成的影响。民族想象性建构使蒙古族题材电影创作者对民族传统文化的坚守走入一种建构脱离现实的文化"乌托邦"的误区。创作者应当直面现实,挖掘现代化进程中蒙古民族值得其他民族学习的优秀文化特质和所有民族共通的普世价值观,这样才有助于推动蒙古族题材电影不断向前发展。

The development of ethnic imaginativeness construction of Mongolian theme films is reviewed diachronically. The main characters of the ethnic imaginativeness construction of Mongolian theme films in the 21st century and the reasons of its formation are analyzed from three aspects of the grassland and the cities,the traditional and the modern, and the nomadism and the business with the relevant films as the analysis cases and the criticism theory of binary opposition, and its effects are pointed out. The ethnic imaginativeness construction of Mongolian theme films misleads the film creators＂ insistence on traditional ethnic culture into a mistaken area of building a culture ＂utopia＂ isolated from the reality. The film creators should face the reality,excavate excellent cultural traits of Mongolian people and the universal values of all ethnic groups in the course of modernization, which would promote the development of Mongolian theme films.