摘要
铜镜纹饰的发展演变随着时代的进步在不断变迁,蟠螭镜、四乳四虺镜、四神博局镜、四乳四雁镜是汉代铜镜发展的谱系缩影;汉代的铜镜铭文也随时期变化有不同的主题内容;以铜镜主题纹饰划分地区类型,可成为工艺设计的专门领域,反映出典型的民族艺术形式。
Bronze mirrors' decorations have been continued changing and evolving as time progressed. The mirrors of Panchi, four nipplelike protrusions and four vipers, four immortals and a gambling pattern, four nipple-like protrusions and four wild geese are the epitome in the developmental pedigree of bronze mirrors of Han Dynasty. The inscriptions also have different subject contents in the different period. Classifying the regional styles by means of bronze mirrors' theme decorations, which can be the specialized field in progress design, and ref lect the typical national art form.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2017年第1期94-97,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
汉镜
纹饰
铭文
山东
Han Dynasty bronze mirror
decoration
inscription
Shandong Province