论《风前尘埃》和《KANO》的殖民遗绪

On the Representation of Colonial Residuals in Dust before the Wind and Kano

本文以同为表达台湾"日据经验"的小说《风前尘埃》和电影《KANO》为讨论对象,期待透过二者着力之"写真"与"棒球"意向,看见不同创作主体,不同媒介方式呈现出的日据时代。尝试理解小说和电影对殖民的机制与本质的思考,分析作为不同世代不同立场的创作者,两部作品在内在精神理路上的异同,看到作品与历史与时代的对话,并对作品中流露出的问题加以思考和批判。

With Dust before the Wind, a novel about＇ experience of Japanese occupation＇ in Taiwan, and Kano, a film about the same, for discussion, this article expects to see, through the intentions of both works in applying themselves in ‘being true to life＇ and‘ baseball＇, the period of Japanese occupation as represented by different creating subjects and in different media. The article is also an attempt to interpret the novel and the fihn＇ s thoughts on the mechanism and nature of colonialism by analyzing the creators from different time periods and in different positions as well as differences and similarities in the spiritual lines of the two works in order to see the dialogue between them and history and the times, apart from thinking about and critiquing issues that emerge in the two works.