摘要
《小团圆》体现出了张爱玲的晚期风格,"还钱"行为与身体叙事构成了互文性,"隔离"是人际关系的基本姿态,"痛苦之浴"的人兽转化书写彰显深刻的讽刺艺术。《小团圆》采用了现代主义手法,散漫的叙述与成熟的张力无缝对接,对立、矛盾、冲突与分裂的力量造就了悲剧。
The Little Reunion reflects Eileen Chang's late style as the act of‘ returning the money'is inter-textualized with the body narrative,‘separation' is the basic posture in the human relationship and the turning of a being into an animal in the ‘painful bath ' reveals a profound ironical art. By employing modernist techniques, The Little Reunion has its discursive narration and mature tension seamlessly connected, with a tragedy formed of the power of confrontation, contradiction, conflict and division.
作者
首作帝
郭爽
Shou Zuodi Guo Shuang
出处
《华文文学》
CSSCI
北大核心
2017年第1期118-123,共6页
Literatures in Chinese
关键词
《小团圆》
张爱玲
晚期风格
The Little Reunion, Eileen Chang, late style