摘要
新媒体艺术是一种基于技术的艺术形式,集中体现为一种跨学科、多媒介、重交互、重过程体验的艺术。新媒体语言和实验电影有着难以割舍的血缘关系,其美学渊源可以追溯到上世纪20年代先锋艺术家们如杜尚、爱森斯坦、维尔托夫等人的实验电影的美学观念。文章结合了对维尔托夫经典纪录片《持摄影机的人》的结构分析,提出了维尔托夫电影的实质在于他将"数据库"的观念引入了电影,并通过实践首创了其实验电影的美学,也成为新媒体语言的最初范本。
New media art is an tech-art form of interdisciplinary, multimedia, interactive and process experience. The new media language and experimental films have a deeply relationship. Its aesthetic origin can be traced back to the experimental films of the pioneer artists such as Duchamp, Eisenstein and Vertov in the 1920 s. This paper analyzes the structure of Virtov＇s classic documentary ＂The Man with the Camera＂, and points out that the film is a kind of concept of ＂database film＂ and created the experimental film aesthetics through his practice.This film also has become the initial model of the new media language.
基金
北京服装学院创新团队建设项目
关键词
实验电影
数据库
蒙太奇
experimental film
database
montage
