华语文艺片的百年流转

A Hundred Years of Wenyi: Exploring the Development of Wenyi Film in Chinese-language Cinemas

文艺片这一类型标签早于20世纪20年代已经出现,并逐渐成为中国电影的重要类型。本文尝试追溯文艺片在华语电影百年来的转折,并提供以下几个向度来回看华语文艺片与艺术片:上世纪20年代文艺片的第一次理论化、现代中国文艺片所包含的三种情感结构、70年代琼瑶电影的文艺片言情化、八九十年代中港台三地新电影浪潮而形成的艺术片文化,并论述近年来艺术片中缓慢电影的特色。

The label wenyi plan （literature and art film） appeared in the early 1920s and was widely used in the 1930s. It became an important film genre since then. In the past hundred years, various types of film - from romances to realistic films - were categorized as wenyi plan, which has appeared as a cluster term that includes film with various styles and themes. In the 1980s and 1990s, the two labels wenyi plan and art film （yishu plan） gradually combined. People even chose to use the label art film more often. With these observations, this article tries to trace the paths of development of wenyi plan and art film in the Chinese-language cinemas of the past hundred years. This article suggests to review the development from the following perspectives： the first theorization of wenyi plan in the 1920s, the three structures of feeling in Modern Chinese wenyi plan, the sentimentalism of Qiong Yao＇s films in the 1970s, the art film culture cultivated by the Fifth Generation of Chinese cinema, New Taiwan Cinema and Hong Kong New Wave, and last but not the least, the latest emergence of slow cinema as arthouse cinema.