摘要
本文系统介绍了西方电影节框架下的电影商业和相关媒体运营的内在机制,并借用萨义德东方主义的理论和布尔迪厄的品味判断社会批判理论,分析和总结了电影节价值判断体系的形成,以及电影节人才培养和电影项目资助体系的内在运作规律。
The article systematically presents the inner mechanism of film business and relative media operations under the framework of Western film festivals. Meanwhile, using theories of Said's Orientalism and Bourdieu's A Social Critique of the Judgment of Taste, it analyzes and summarizes how the value judgment of film festivals forms, as well as the talent training of film festivals and the inner operational pattern shown in the funding system.
出处
《电影艺术》
CSSCI
北大核心
2017年第1期15-22,共8页
Film Art
关键词
电影节
商业运作
电影媒体
东方主义
电影工业
品味判断的社会批判
film festivals, film business, film media, orientalism, film industries, social critique of the Judgment of Taste