《我不是潘金莲》的影像风格与权力想象

The Image Style and Imagination About Power of I Am Not Madame Bovary

《我不是潘金莲》一方面延续了冯小刚喜剧电影中对于官员的讽刺,另一方面又回归到现实主义喜剧电影的传统。本文从影像风格的角度指出两种关于权力的想象,这种对官本位的批判既是对当下中国社会的洞察,又遮蔽了现实生活中另一种权力关系。这显示了这部电影的深刻和局限之处。

I Am Not Madame Bovary not only developed the Feng Xiaogang＇s comedy film style as an irony of official power, but also returned to the comedy tradition of the realism film. This paper points out two kinds of imagination about power from the perspective of film style. This critique of officialdom is an insight into the contemporary Chinese society, but it at the same time obscures another kind of power relation in real life. This shows the depth and limitations of the film.