摘要
在华语"商业大片"以及仪式化表演尚未成熟即被过度开发之后,颜值化表演不知不觉"奔袭"银幕并逐渐形成了一种表演美学思潮,并初步形成了超越古典主义美学的演员形象要求、青春气息的本色表演和时尚的夸张表演等基本表演美学特征。颜值化表演的排他性和独占性倾向,使它在表演文化生态、属性和效应等方面形成了若干需要引起关注和警戒的美学现象。
Face-Value performances have become a sort of performing aesthetic. This performance is characterized by actors' appearance requirements based on super-classicism aesthetics, natural performances full of sense of youth and fashionable exaggerated performances etc. Face-Value performance has a trend of exclusiveness and dominance, which leads to some aesthetical phenomena worth attention and alert in aspects of performing cultural ecology, attribute and effects.
出处
《电影艺术》
CSSCI
北大核心
2017年第1期113-117,共5页
Film Art
基金
"上海高峰高原学科建设计划成果"
编号:SH1510GFXK
国家社科基金艺术学一般项目"新中国电影表演美学史述"的阶段性成果
项目批准号:15BC035
关键词
颜值化表演
审美特征
文化分析
Face-Value performance, aesthetic characteristics, cultural analysis