听觉的现代性:以法商东方百代公司唱片出版为个案的研究(1908-1930)

The Modernity of Auditory:A Case Study about the French’s Path é Orient Music Publishing(1908-1930)

唱片作为我国近代史上最早的“音像出版物”，甫一出现，便通过“听觉书写”改变了中国人对声音的“知”与“听”，推动了“声音”作为一种知识性、娱乐性、消费性题材的大众化与日常化。民国较早出现的法商东方百代唱片公司，前后共出版唱片三千余种，对我国近代唱片出版业有着不可忽视的影响与推动作用。以其为个案，从它影响下的“听觉书写”“听觉下的生活”“听觉与技术”等方面进行研究与梳理，有助于探索技术发展与出版企业、出版物及社会文化变迁之间的互动关系，进而认知当下音像出版物发展。

In modem history, as the earliest ＂audio and video publication＂, record appeared and changed the ＂know＂ and ＂hear＂ of Chinese, which pushed the ＂voice＂ as a kind of knowledge, entertainment and consumption of popular with day-to-day work. As a record company in the early of the republic of China, the French＇s Path e Orient published more than three thousand kinds, influenced the modem music publishing industry in our country. Take it as a case, the paper studies ＂writing hearing＂ ＂hearing next life＂ and ＂hearing and technology＂ influenced by the ＂voice＂ , which helps to explore the interaction relationship between the technology development and pubhshing enterprises, the publications and the transition of social and cultural, and cognizes the development of the audio and video publications.