论“新时期”初期作家启蒙认同困境

The Dilemma of the Writers' Enlightenment Identity in the Early New Period

随着"写真实"话语蕴涵的调整和"人学"话语的浮现,"新时期"初期小说家初步确立了启蒙者身份,在创作中接通和张扬了"五四"新文学的人学主题。但其对"人学话语"的艺术表现,无法超脱于以"人民话语"为关键词的"新时期"想像,无法绕过既是其展开叙事的"前史"同时又在"新时期"发挥现实功能的社会主义文化。"新时期"初期小说的自我认同是个体启蒙认同和人民认同之间的辩证统一。

With the adjustment of ＂writing truth＂ and the emergence of human science discourse, the initial writers of the New Period established the identity of the enlightenment, and carry forward the theme of May 4th new literature in their works. But their artistic expression of human discourse cannot be detached from people discourse, which is the key word of the New Period, and cannot bypass socialist culture which is its prehistory and plays a real function in the New Period. The self identity of the novels in the New Period is the unity of the individual enlightenment identity and the people＇s identity, which is not completely contradictory, but in which there is inherent gap.