摘要
新时期以来的中国电视文艺思潮呈现出百家争鸣、百花齐放的气象,许多实践者与研究者围绕着中国电视文艺的本体问题、形态构成、美学特质、文化传播、发展方向、价值取向、形态发展等方面的议题,展开了广泛而深入的探索与论争。在不断的碰撞下,中国电视文艺思潮向前发展,许多真知灼见经历了时间和实践的考验,由此走向具有中国特色的电视理论体系的建构和完善。
Since the beginning of the New Period, the trend of thoughts concerning the TV art has been demonstrating a sight of hundred flowers' blossom and hundred schools' contention. Many TV workers and researchers have carried out comprehensive and profound discussion and debating on the issues concerning Chinese TV art, such as the ontological issue, the construction of forms, aesthetic characteristics, cultural spreading, orientation of developing, value orientation, the mode of developing, etc.. Through the continuous collision, Chinese TV art theory has developed remarkably forward, many correct and penetrating views have undergone the test of practice, and a system of TV theory with Chinese characteristics has constructed and improved.
作者
张陆园
刘俊
Zhang Luyuan Liu Jun
出处
《南京师范大学文学院学报》
CSSCI
2017年第1期164-170,共7页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
教育部人文社科基地重大项目"中国电视艺术史"(编号:11JJD860002)
关键词
新时期
电视文艺思潮
探索与论争
The New Period
the trend of theory of TV art
exploration and debating