摘要
冯叔鸾晚清民初活跃于上海报刊界,是当时报刊剧评的领军人物。冯叔鸾报刊剧评的理论价值主要表现在三个方面:第一,他界定了戏剧的概念、性质,提出"戏学"。这是最早的较全面公允的戏剧学理论。第二,他分析了新旧剧性质,深入到戏剧的审美本质,在此基础上提出改良戏剧的主张,对中国早期话剧的发展起到积极促进作用。第三,冯叔鸾评剧内容丰富,以多方视角和独到的批评丰富了近代戏剧理论批评,一定程度上弥补了中国戏剧理论重曲本略演出的缺憾。冯叔鸾的报刊剧评对近代戏剧理论很有贡献,值得进一步整理和发掘。
Feng Shuluan' s dramatic criticism is rich and unique, and he was very active in press of Shanghai, and was a leading figure in newspaper dramatic criticism in the Late Qing Dynasty and early Republic of China. The theoretical value of Feng Shuluan 's newspaper criticism was mainly manifested in three aspects: first, he defined the concept of drama, and coined the term "dramaturgy", and put forward a comprehensive drama theory for the first time. Second, he analyzed the quality of both the old dramas and the new plays, and put forward "Drama Innovation" on the basis of its aesthetic essence, playing a positive role in the development of Chinas early modem drama. Third, Feng Shuluan' s multiple perspectives enriched the theory of modem drama criticism and covered the shortage in the Chinese drama theory to some extent. Feng Shuluan' s newspaper criticism has an outstanding contribution to the contemporary drama theory. It deserves further study and exploration.
出处
《南京师范大学文学院学报》
CSSCI
2017年第1期182-185,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
2015年度国家社会科学基金重大项目<民国话体文学批评文献整理与研究>(15ZDB079)
关键词
冯叔鸾
报刊剧评
价值
Feng shuluan
newspapers dramatic criticism
values