中国传统素色图案与红色图案中的和合生存观分析

The Analysis of “Harmonious Life View”in Monochromatic and Red Chinese Traditional Pattern

中国传统文人艺术审美下的"崇墨"文化与中国民间艺术的"尚红"文化,传达出来的艺术气质相去甚远,它们出现于同一个社会中,看上去似乎格格不入,而这恰恰反映了人们在整体观的社会生活中对于幸福追求的两种既矛盾又统一的心理与生存状态。当我们探进传统文化的深处和传统中国人的内心世界后,即会发现:诸多表面上看似矛盾的现象,实则源出一处。这些矛盾的文化现象皆是对注重整体和谐的"和合观"不同的生命表达。它们似是对集体共识的"和合"生存理念的背离,却恰恰皆源于"和合",又归于"和合"。

“ Advocating the ink” culture under the aesthetic view of Chinese traditional literati art and a advocating the red” culture of Chinese folk art co-occurred in the same society, it seemed to be at odds, which reflect the two mentality and life states of people who having the “ whole viewhappiness. Exploring into the depths of the traditional culture and traditional Chinese inner world, we will find that many phenomena seemingly contradictory come from the same source. These cultural phenomena just express harmony concept in different way. They seemed to deviate from the idea of harmony concept, actually, harmony is the result and the reason of these two cultures.