摘要
铜镜艺术是我国古代青铜艺术的瑰宝,同时也是一个时代的社会风尚、精神文明的集中反映。文章通过对汉、唐两代铜镜的比较,在挖掘艺术品本身形制特点和艺术特色的基础上,着重分析了两代铜镜艺术品所呈现的审美意识差异。不仅揭示了汉唐两代铜镜艺术创作的雄强意识和创新精神,同时也为铜镜艺术系统化研究提供思路。
The art of bronze mirror is the treasure of ancient Chinese bronze art, and meanwhile a reflection of the social fashion and spiritual civilization of an era. Through comparison and based on mining the shape and structure characteristics of the artwork itself and artistic features of the Han ＆ Tang dynasties＇ bronze mirrors, this paper focuses on analyzing the differences of the aesthetic consciousness between the two dynasties＇ bronze art. It not only reveals the powerful consciousness and innovation spirit of the artistic creation of the Hart ＆ Tang bronze mirrors, but also offers ideas for systematic research on bronze art.
作者
邱楠
OIU Nan(Apparel ＆ Art Design College, Xi＇ an Polytechnic University, Xi＇ an 710048, China)
基金
西安工程大学哲学社会科学研究项目"青铜镜纹饰的意象造型及价值研究"
项目编号:2015ZXSK42
关键词
汉镜
唐镜
审美意识
Han mirror
Tang mirror
aesthetic consciousness
