古典诗歌中“秋扇见捐”文学意义解析——以班婕妤《团扇诗》为例

In the classical poetry "literary significance of abandoned like a fan in autumn" ——To ban Jieyu poetry as an example uchiwa《Round fan poem》

中国古典诗歌向来擅长以物喻人,托物言志或抒情,诗歌中的物象一经诗人主观情感的注入便成为典型的文学意象。自班婕妤《团扇诗》问世以来,"团扇"意象便被后世文人广泛传承和沿用,尤其是在古典诗歌中频现"秋扇见捐"的抒发模式,借此来关合人生际遇,或表达美人迟暮、红颜遭弃的愁怨悲苦,或抒发仕途坎坷、怀才见弃的愤懑意绪,也为我国古典诗歌增添了含蓄朦胧哀婉之美,意义独特而深远。

China classical poetry has always been good to people with physical metaphor, ＂or lyric, poetry images by injection of subjective emotions of a poet has typical literary significance. Since the Han Dynasty ban Jieyu talented poems《Round fan poem》. Since the＂ round fan ＂image has been widely used later poets, They are used on the pretext of ＂objective phenomenon of closing life experience abandoned like a fan in autumn＂, or unlucky, beauty from inside the sorrow, or their career ups and downs, bosom just abandoned anger emotion. Add a subtle hazy pathos beauty of Chinese classical poetry, unique and farreaching signitficance.