舞蹈改编与黔西北彝族“恳合呗”(铃铛舞)的变迁

Dance Adaptation and the Evolution of the yi Minority Ritual Dance in Northwstern Guizhou

彝族"恳合呗"(铃铛舞)是黔西北彝族丧葬仪式中渡送亡灵回归祖先居所而跳的仪式性舞蹈,皈依祖先成为该舞蹈的核心诉求。经过舞蹈改编后,舞蹈逐渐从祖先认同和族群认同转变为他者视阈下的展演性舞蹈。展演将丧葬仪式进行抽离并转换了舞蹈场域,成为"恳合呗"嬗变的根本原因。同时,基督教葬俗和汉族葬俗的接受成为"恳合呗"面临的最大冲击。

The Yi Minority Kenhebei Dance(also known as the Bells Dance) is a ritual dance in the Northwestern Guizhou area,to be performed at the funerals to accompany the soul of the dead to return to their ancestors place.The essential of the dance is for the soul to return to the ancestors.Gradually,the dance evolved from the pure ancestor identification and tribe identification to dance to be displayed to an audience.The ritual scene has been abstracted to dance scene,which constitutes the most essential change.Meanwhile,the burial ritual has been facing impact and challenge from the Christian and the Han burial customs.