摘要
堆锦艺术植根于山西省长治地区,已有近百年的历史,因其奢华的材质、繁复的工艺和独特的形制,而享有"立体国画"和"软体浮雕"的美称。其用料之精、工序之繁、制作周期之长,都使其成为山西省长治地区不可多得的非遗艺术品项目,于2008年被列为第二批国家级非物质文化遗产。长治堆锦依靠当地深厚的本土文化和当代先进的科学技术一直发展至今,呈现出一种"百变不衰"的发展态势,堆锦本身承载着丰富的地域文化与风土人情异常丰厚。堆锦传承人是推动长治堆锦艺术走向繁荣的重要因素,正是由于历代传承人的不断摸索与创新,优秀的堆锦艺术品才能层出不穷。
Dui Jin has rooted in Changzhi, Shanxi Province for nearly a hundred years and enjoys the reputation of “ Three-dimensional Chinese painting ” and “ Soft relief ” because of its luxurious materials, sophisticated art and unique shapes. Also fineness of the materials, complexity of the procedures as well as the long production periods account for the success of becoming a member of non-material cultural heritage in the local areas where there was almost no other success like this before. And Changzhi Dui Jin, therefore, was listed as the state non-material cultural heritage for the second patch. Changzhi Dui Jin takes on a character of always developing but never fading, depending on the rich local culture and modern advanced science and technology. In addition, it’s so amazing that Changzhi Dui Jin carries a rich regional culture and local customs. The successors of Dui Jin are essential for its prosperity. And it’s their effort on the research and innovation that made it possible for one after another artifacts of Changzhi Dui Jin to be displayed in front of us.
出处
《内蒙古大学艺术学院学报》
2017年第1期116-120,共5页
Journal of Art College of Inner Mongolia University
基金
国家社科基金项目<国家话语与民间文学的理论建构(1949-1966)>(项目编号:13CZW090)系列论文之一
关键词
长治堆锦
制作工艺
艺术特征
贵族工艺
Changzhi Dui Jin
Craftsmanship
Artistic characteristic
Aristocratic handicrafts