摘要
中国的山水画传统有其独特的品格,由此而展开了一种寄情于山水之间的线索追溯以及民族志的书写。这种书写显然有别于人类学科学民族志所主张的那种所谓真实、客观与忠实记录,它是一种对意义的深层次的阐发并通过"对景造意"表达出来。这种从中国山水画家形成的对于人和自然关系的独特认识,有助于我们重新认识人类学意义的写文化,它为这种写文化的再创造提供了一种可以获得灵感的方法论的新资源,也为中国传统政治语境中权威体系对于自然山水的象征化命名的权力机制提供了一种真正意义上的本土理解。
With unique inherent features, traditional Chinese landscape paintings carry on the tradition of demonstrating scenery and ethnographic significance, which is obviously different from the objective records of anthropological ethno- graphical description but metaphorical interpretation of tradition. The vision about relationship between humans and nature held by traditionaJ Chinese painters facilitates understanding of the tradition inherent in traditional Chinese landscape paintings, serving to inspire calligraphic creation and shedding light on the influence the politics exerts on it.
出处
《艺术探索》
2017年第1期44-51,共8页
Arts Exploration
基金
国家社会科学基金项目重点项目"文化转型背景下乡土社会秩序的变迁与重建研究"(15ASH012)
关键词
山水画
线索
民族志书写
Landscape Paintings, Clues, Ethnographic Significance