晚唐诗风的微观考察

A Microcosmic Observation on the Style of the Late-Tang Poems

对于晚唐诗风,前人的评述大多从宏观着眼,但也可以对晚唐诗歌进行微观性质的考察,考察角度包括诗人的心态、作品的题材走向与艺术特征三方面。晚唐诗人中并非没有胸怀天下的有识之士,但对于他们而言,治国平天下的功名事业已是渐行渐远的梦想。除了写诗之外别无他业,也必然导致晚唐诗人对诗歌价值的无比推崇。在并无情感驱动的情况下为写诗而写诗,易于陷入为文造情的窘境。相应地,晚唐诗中,咏物与咏史这两类题材特别繁盛。除了咏物与咏史等题材,晚唐诗人也力图开拓新的题材范围来创新,但因为缺乏关注社会生活的胸怀和眼光,求新往往流于险怪、荒诞。晚唐诗人在细节性的艺术技巧上刻意求工,带来晚唐诗体长于律体而拙于古风、重视琢句而不重篇章结构、意尽句中而韵味不足等问题。

Our predecessors commented the style of the Late-Tang poems mostly from a macroscopic perspective. This article makes a microcosmic observation on the Late-Tang poems from three respects,including the poets＇ states of mind,and the poems＇ theme orientation and their artistic characteristics. By means of the meticulous text-analyzing on a host of typical cases,this article brings to light the main distinguishing features of the style of the Late-Tang poems which was different from the styles of the poems in the Heyday of the Tang Dynasty and the Middle-Tang Dynasty.