摘要
本文以布鲁诺·拉图尔的行动者网络理论(简称ANT)观照2011年普利策奖剧作《克莱伯恩公园》再现的芝加哥,认为此剧在美国政治正确风潮中的接受悖论在于剧作家布鲁斯·诺里斯如实近距离描述了芝加哥城市地理的流变复杂性,其政治相关性在于它没有给出关于芝加哥社会的明晰解释或批评,而是通过不断追踪新问题新联合来重组社会,以貌似传统的新现实主义风格突显了戏剧可以作为一种ANT写作的社会学价值。
This article approaches the 2011 Pulitzer laureate drama Clybourne Park by Bruce Norris from the perspective of Bruno Latour＇ s Actor-Network-Theory （ANT）. The play＇ s polarized reception among American critics over the issue of political correctness lies in its myopic faithful description of Chicago＇ s changing geography. Eschewing a clear explanation or criticism of Chicago as a society, the play shows its political relevance by tracing new problems and new associations to reassemble society. Its seemingly traditional style of neo-realism foregrounds the sociological value of such drama as a form of ANT writ- rag.
出处
《外语教学》
CSSCI
北大核心
2017年第2期99-103,共5页
Foreign Language Education
基金
国家社科基金项目"20世纪美国戏剧诗学研究"(项目编号:14BWW046)的阶段性研究成果
