摘要
舞蹈和所有的艺术门类一样,都有自身之长和自身之短。舞蹈的"长"与"短"蕴含着舞蹈的艺术规律和功能特征,属于最不可忽视的舞蹈的基本原理之一,有必要予以厘清。"舞蹈长于抒情"是业界早有的共识,但为什么长于抒情,却极少被关注。而学术研究的重要使命之一,就是要解决"为什么"并纠正一些误区。本文从言情之长、说理之短两个层面,辨析舞蹈艺术的属性,同时提出舞蹈思维的独特性在于抽象与具象的高度融一。
Dance art, as one of the artistic forms in the world, has its own advantages and disadvantages. The advantages and disadvantages imply the unique features and functions of dance art. Being one of the basic principles of dance art, these advantages and disadvantages need to be clarified and explained in detail. Dance art is skilled in expressing emotions, but little research discusses why it is good at this. The paper, based on the analysis of specific dance works, explains why dance art is good at expressing emotions and fails in reasoning; hence the paper argues that dance art is the art form combining abstraction with concretization, and embodies the uniqueness of artistic abstraction.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2017年第1期52-54,共3页
Journal of Beijing Dance Academy