摘要
在朝鲜民族舞蹈变迁史上,"新舞蹈"时期是承古代、启当代的重要历史阶段。崔承喜是朝鲜民族"新舞蹈"的开拓者,也是东方"新舞蹈"的推行、推动者。她在朝鲜民族舞蹈的文化转型、发展上起到了引领的作用,同时也在推动东方舞蹈的发展上做出了巨大的贡献。本文拟以已有的资料为依据,以场景理论为支撑,从"身份、言语、启示"三个层面切入,聚焦视点,重点讨论崔承喜的身份、身体以及她的舞蹈行为、行为逻辑、行为观念和对发展朝鲜民族舞蹈的启示。
In the history of the Korean national dance, the "new dance" is an important historical stage for the ancient and modern times. Choe Sung-Hee is the pioneer of the "new dance" of the Korean nation, and also the promoter of the " new dance" in the East. She played a leading role in the cultural transformation and development of Korean folk dance, and also made great contributions to the development of Eastern dance. Based on the existing data and the theory of cuhural scene, the paper, from the three aspects of "identy, language, and inspirations", intends to focus on the identity of Choe Sung-Hee, her body and dance behavior, behavior logic, as well as behavior concept and inspirations for the development of the Korean folk dance.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2017年第1期60-67,共8页
Journal of Beijing Dance Academy
关键词
崔承喜
身份
言语
启示
Choe Sung-Hee
identity
language
inspirations