试谈当代高校舞蹈创作的文化体认及发展路径

The Contemporary University Choreography:Analysis of Its Developing Tendency and Cultural Subjectivity

呈现井喷式增长和繁荣的当代高校舞蹈创作,继承与创新、传统和现代的"结合之路"是艺术创作中共性与个性要求的统一和必然。笔者认为,当前的高校舞蹈创作首先呈现出鲜明的趋势与特征,即民族元素与文化符号的"为我所用"、立足于传统的创新之路和主体成长的前提——文化自觉的树立。透过微观的当代创作实例考察,以期能够以小见大,明确高校舞蹈创作中对"文化主体性"的体认具有必然的价值和意义。

The key point of this paper is how to establish its own cultural subjectivity and defend the cultural consciousness in the traditional and modern dance creations. The artistic achievement which has been obtained in the dance creation of colleges and universities is commendable ; its overall trend is to realize the importance of inheriting and innovating. Taking the example of Lingnan dance and the choreography of red cultural resources, the paper points out that the confirmation of their own cultural subjectivity consciously practices the principle of innovative aesthetics, and it will be one of the most important routes towards consistent and steady development of university dance choreography during the cultural transition period.