摘要
甫跃辉是80后纯文学写作的代表,他在短篇小说集《动物园》的后记《刺猬,还是狐狸?》中,称自己是"狐狸",即没有长篇的负担,无需对整个世界发言,没有形成固定的、站得住脚的且完全属于自己的考量标准。从甫跃辉的作品中可以窥探到他想要揭示世界本质的决心。从他的短篇小说集所构建的文学世界中可以探究到一个80后作家对于描绘与解释世界的急迫和为之所作的努力。文章以甫跃辉的短篇小说集《动物园》为研究对象,以文本细读的研究方法来探究甫跃辉是如何在作品中处理当代青年所面临的现实问题,以及其所呈现的解决方式是否有效。
Fu Yuehui, as a representative of the 80s pure literature writings, addressed himself as a fox in the postscript of "The Zoo" ,named "A Hedgehog or Fox". This means that it is not a feature-length novel rather than be responsible to speak to the whole world, and thus there is no fixed and sound standard of measurement. His determination to disclose the nature of the world can be seen in his works. From the short story collection the post-80 born writer' s efforts to depict and explain the world can be seen. With close reading meth- odology,how Fu Yuehui tried to deal with the realistic problems that contemporary youth are facing is studied to see whether the solutions work well.
作者
韩丹
HAN Dan(Shenyang Normal University, Shenyang 110034, China)
出处
《哈尔滨学院学报》
2017年第3期93-96,共4页
Journal of Harbin University