论意义作为艺术品价格基础的可能性——基于现象学的考察

On the Possibility of Meaning as the Basis of Artworks' Price——Based on Phenomenology

艺术品价格研究的基础有两种向度:艺术学研究向度和经济学研究向度,艺术学研究向度强调艺术价值作为艺术品价格的根源,只能对艺术品的价格进行定性化;经济学研究向度强调艺术商品的流通过程作为艺术品价格的根源,将艺术品等同于一般商品。在现象学视野中,这两种研究向度都将艺术品视为一种现成品。现象学认为艺术品并非一种现成品,而是意义的流动过程,艺术品价格应以艺术意义的流动过程为基础。在艺术意义流动的过程中,艺术家记录了生活世界的显现并将这一显现构建为具体的艺术作品,形成了艺术品原初意义;读者使艺术作品的潜在意义形成为一种现实的意义,随作品传播的读者意义扩充了艺术意义;艺术经典的意义构成为某个文化共同体的基因,反过来又扩充了艺术意义的容量。意义流动的过程必然体现在艺术品的价格之中。

There are two directions on the question of artworks＇ price： based on artistic value and based on economics. The direction based on art emphasizes the artistic value as the base of artworks＇ price. It can only form qualitative trends. The direction of economics emphasizes the circulation of art commodities as the base of artworks＇ price. It takes the artwork as a common commodity. In the horizon of Phenomenology, these two directions both consider the artwork as a finished production. The Phenomenology claims that the artwork is not a finished production but a process of flowing of meaning and the artworks ＇ price should base on the process of flowing of meaning. In this process, the artists record the emergency of life world and construct concrete artworks. This forms the original meaning of the artworks. The readers realize the artworks＇ potential meaning. The readers＇ meaning which spreads with the artworks enlarges the volume of the meaning. The meaning of art classics forms a gene of a cultural community, which in turn expands the meaning of artworks. The meaning flow process must embody in artworks＇ price.