摘要
《骆驼祥子》中的"祥子"是旧中国社会贫苦大众的典型形象,这一形象是一个综合体,有美好的希望,也存在劣根性;这一形象有一个"底子",就是与"祥子"并列的"骆驼"——老实、善良、迟钝、脆弱、任人驱使。"祥子"变成一个游戏生活、行尸走肉一般的"个人主义的末路鬼",所表现出来的反抗仍然是消极的、麻木的,从未敢向制约他的体制发出抗争。
Xiangzi in Rickshaw Boy is the typical image of the poor in the society old China. This image is a complex with good hopes as well as deep-rooted bad habits. This image has a "base", that is the image of "camel" paralleled with "Xiangzi" with the features of being honest, kind, slow, weak, driven and ordered. "Xiangzi" finally changes into "a dead-end ghost of individualism" like a walking dead living a game-playing life, however, the resistance showed by the image is still negative and numbness without any courage to resist and defy the social system that always restrict him.
出处
《黑河学院学报》
2016年第8期150-151,共2页
Journal of Heihe University