社会区隔视角下的城市民谣听众的形成

Formation of City Folk Audience from Prospective of Social Segmentation

城市民谣作为一种音乐形式是现代化和城市化发展的产物,中国城市民谣的产生和发展具有深层次的社会和时代背景。城市民谣听众对这种音乐形式的偏好也是社会因素和独立人格共同发挥作用的结果,可以说,这一群体因社会区隔而形成,并形成进一步的社会区隔。通过对中国城市民谣相关文献的梳理、对城市民谣歌曲的聆听归类、观看城市民谣现场演出和对城市民谣爱好者的深度访谈,考虑其产生和传播渠道,研究它的受众对象和消费群体,可以从中窥见更加内在的社会运行机制,展现更为广阔的社会背景。

A city folk is a product of modernization and urbanization. The development of Chinese folk has its own character because of the special social conditions and historical backgrounds. The social factors together with the independence of personality make a considerable part of audience have preference for Chinese folk. It can be said that this group is formed because of social segmentation, and then formed a further social segmentation. By listing systematically to the history of city folk and having an overview of city folk audience can get a glimpse of intrinsic social mechanism. By listening to and classifying a large number of folk songs, watching live shows in different cities, and having In- depth interview of folk audience, the author tries to describe the overall profile of the audience and then to explore more complex social situations behind them.