摘要
立足于晚明人物画风格的时代背景,运用图像分析法,文献研究法和对比分析法,对泉州市文物管理委员会所收藏的黄道周《魁星图》的真伪性进行深入探讨。从中发现《魁星图》的风格多与时代不符,与黄道周的个人风格存在差异,并在题款、题跋、印章、人物服饰存在诸多疑点,进而阐明了长期以来被认为是黄道周人物画代表作的《魁星图》并非是黄道周真迹,而是清中晚期假托黄道周之名的伪作。
This paper, based on the historical background of the style of figure painting in the late Ming dynasty, discusses the anthentieity of Huang Daozhou's Kuixing painting, displayed at the Cultural Relies Management Committee of Quanzhou City, with the method of image analysis, literature review and eontrastive analysis. The research shows that the style of the Kuixing doesn' t conform to his period' s and personal style, with some doubtful points in the inscription, preface, postseript, seat, and the eharaeter's eostume. This paper further points out that the Kuixing, which has long been considered one of Huang Daozhou's masterpieces, is not his authentie painting, but a forgery, under the veil of Huang Dhaozhou in the middle and late period of Qing Dynasty.
出处
《闽台文化研究》
2016年第4期61-69,共9页
Fujian-Taiwan Cultural Research
关键词
人物画
魁星
晚明
黄道周
粗笔写意
figure painting, Kuixing painting,late Ming Dynasty, Huang Daozhou, freehand brushwork paintings.