武侠影像书写中的古典主义情结——论楚原奇情武侠片中的古典词作化用

On the Application of Classical Poems in Swordsmen Films Made by Chu Yuan

香港著名武侠电影导演楚原在其所拍摄的一系列"奇情"武侠片中,通过悬疑奇诡的情节叙事、唯美诗意的画面场景及江湖哲理的含蓄阐发体现出其独特的武侠影像观念。与此同时,楚原有意将古典词作融注于影片中,这一影像构思不仅有助于揭示片中人物复杂多变的内心世界、塑造出更具人性化的艺术形象,更与楚原自身的武侠情节建构与影像语言体系完美交融,并在客观上对观众生发出一种间离效应,从而在强化影片诗意唯美、浪漫写意的影像风格之际,投射出楚原独特的电影作者气质。

Chu Yuan , the famous swordsmen film director in Hong Kong, expressed his special concept on the swordsmen film ,which was reflected through suspense plots, poetic and aesthetic scene and implicit exposition of the green woods philosophy in his series of swordsmen films. At the same time, Chu Yuan specially applied classical poems in his film dialogues,which not only contributed to revealing the character＇ s complex inner world and crea- ting a more humane artistic image , but also produced estrangement effect on audiences. More importantly,the appli- cation of classical poems intensified poetic, aesthetic and romantic style of his films, which reflected his unique tem- perament as the author of film in the swordsmen film production.