线行记--谭平的素描创作

Following the line:Tan Ping's Drawing

作为现当代知名的艺术创作者，谭平几十年如一日地坚持自我诠释世界的方式。他笔下的抽象艺术作品不仅跨越了绘画本身的意图——再现自然，更是深入地探究精神融入图像之后的再生与重塑。在“彳亍一谭平艺术展”中，他不仅展出了抽象油画作品，观看者还惊喜地发现许多熟悉的素描作品融入其中。“彳亍”二字虽合而为行，然亦步亦趋却不经意间流露出犹豫、徘徊的意味。这一名称的情感定位。无疑也反映出艺术家本人对于现今社会飞速发展、信息挤压侵占个人空间的内省与反思。那么，会是什么样的契机，造就艺术创作者再次将关注点转移到线条构筑的黑白世界中去？在这里，我们择取了外国批评家简述、艺术家自述、ASU美术馆短评与创作者访谈四个部分，来帮助观看者走进创作者的艺术世界，了解一个不一样的谭平。

Mr. Tan Ping, as a well-known contemporary artist,has been adhering to his own way of interpreting the world tbr decades. His abstract art has not only surpassed the intention of painting itself-- representing nature, but also is the rebirth and reshaping after his spirit of in-depth exploration is combined with images. At ＂Follow My Line： Tan Ping＇s Solo Exhibition,＂ he not merely exhibited his abstract oil paintings, but the viewers also found, to their pleasant surprise, a lot of familiar drawings. Although the combination of ~＂ ~ ~＂ ＂＂ （two characters in the Chinese title of the exhibition） means ＂traveling＂, some overtone of hesitation and wandering is also revealed. The emotional positioning of the title has undoubtedly reflected the artist＇s introspection and reflection about pressing and occupation of private space by information in the present rapidly developing society. Then, what has caused the artist to shift his focus again on the black and white world composed of lines？ Here, we have selected a short essay by a foreign critic, the artist＇s self narration, a brief comment by AUS Art Museum, and an interview with the artist, to help the viewers to enter into the artists＇ world and learn about a different Tan Ping,