摘要
寿赋是从功用上划分的一种赋的类型,它围绕着生日而创作,以庆生、祝寿为目的,实用性较强。宋代之前,寿赋相当罕见;及至宋代,寿赋创作渐成规模。宋代寿赋以祝颂为基本特征,普遍将祝寿对象比作仙人,谄谀之气浓重。在体制上,宋代还出现了"九体"寿赋,篇幅弘大。张嵲的《寿赋》、王禹偁的《罔极赋》和苏轼的《沉香山子赋》突破了一般寿赋的创作窠臼,文学价值较高,代表了宋代寿赋能达到的艺术高度。
Birthday- congratulating Fu is a specific type which centers on birthday. The motive of creating birthday-congratulating Fu is to offer blessings; therefore,its practicality is rather strong. Birthday-congratulating Fu is rare before the Song Dynasty but turns into scale when the Southern Song Dynasty comes. In birthday-congratulating Fu of the Song Dynasty. The birthday person was usually flattered and compared to be the immortal. A lengthy birthday-congratulating Fu including nine pieces appeared in the Song Dynasty. Zhang Nie’s Birthday-congratulating Fu,Wang Yucheng’s Infinity Fu and Su Shi’s Agilawood Mountain Fu brook through the set pattern of the birthday-congratulating Fu,becoming the representative pieces of this kind of Fu in the Song Dynasty with higher literary value.
出处
《辽东学院学报(社会科学版)》
2017年第1期6-10,共5页
Journal of Liaodong University:Social Science Edition
关键词
宋代
寿赋
王禹偁
苏轼
Song Dynasty
birthday-congratulating Fu
Wang Yucheng
Su Shi