摘要
1924年泰戈尔来华是泰戈尔在华映像的转折点,来华前,泰戈尔在华映像是一种基于泰戈尔的文学作品的联想性想象,1924年来华,泰戈尔在华映像卷入了现实政治的漩涡。
Tagore＇s visit to China in 1924 is a turning point of the image of Tagore in China, the image of Tagore in China before 1924 is an Associational imagination based on Tagore＇s literary works, having come to china in 1924, the Tagore image in China involved in the whirlpool of realistic politics.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2017年第2期115-117,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
文学想象
现实政治
映像
表演
literary imagination
realistic politics
image
performance
