摘要
《闽中十景》是一套以清代福建地域名胜为主题的胜景册页。其中,选绘了"鹿耳平波"这一地处台湾的胜景意象。通过对作品绘制的国家政治、地域文化背景的特殊性以及《闽中十景》中胜景选择内在逻辑的解读,揭示《鹿耳平波》画作中的图像信息、艺术观念及政治文化意涵。在此基础之上,对"鹿耳门"这一景观在闽台两地胜景文化创作中的意象演变进行梳理、研究,探讨清政府收复台湾后闽台两地社会心理和文化景观的进一步交融,以及闽台共同地域文化意识的形成与发展。
Ten Views of Min is an album of paintings with the subject of the wonderful scenery of Fujian Province in the Qing dynasty,including the painting Lu Er Ping Bo which depicts the landscape of Lu-er Portal in Taiwan. In this article,through interpreting the political background and regional and cultural information of the painting,and analyzing the internal logic of choosing the scenery,we can get the image information,art ideology and political cultural meaning contained in Lu Er Ping Bo. Based on the understanding,we can further understand the evolution of scenery Lu-er Portal in the scenery-culture composition in Fujian and Taiwan,discuss the social mental and cultural communication between Fujian and Taiwan,and analyze the formation and development of the common regional cultural ideology of Fujian and Taiwan.
出处
《华南师范大学学报(社会科学版)》
CSSCI
北大核心
2017年第1期182-188,共7页
Journal of South China Normal University:Social Science Edition
关键词
闽中十景
胜景意涵
鹿耳门
台湾八景
闽台地域文化
Ten Views of Min
cultural implication
Lu-er Portal
Eight Views of Taiwan
regional culture of Fujian and Taiwan