摘要
李商隐诗歌一个重要的特点是用典。这些典故不仅在诗中高度地意象化了,还成为叙事的一个重要环节,因此也成了普遍意义上的用事。这不仅体现在典故的改造与加工上、典故的情节虚拟上,更主要地是体现在视典故为事件的叙述上。用典、用事与叙事,三者皆与事有关,实际上难以截然分开。用典与用事使得叙事有了基本的元素,而叙事则使得前者不再是一个个孤立的事件。从"事"的角度理解李商隐诗歌的故事性、情节性,乃至艺术性的一个重要的切入点。
One of the important characteristics of Li Shangyin's poetry is to use allusions. These allusions in the poems not only have been highly iimagined, but also become an important part of the narrative, which embodies the transformation and the processing of them, with fictional plots, and more mainly in the narrative as the story's plot. Using allusions, fabricating plots, and narrative, in fact, are difficult to separate from each other, the former it provides the latter with its basic elements, and the latter makes the former no longer an isolated incident. From the perspective of "thing" to understand the narration, the plot and even the artistry of Li Shangyin's poetry, is an important point of penetration.
出处
《贵州文史丛刊》
2017年第1期67-73,共7页
GUIZHOU CULTURAL AND HISTORICAL JOURNAL
关键词
李商隐
典故
叙事
锦瑟
无题
情节
故事
Li Shangyin, Allusion, Story, Narrative, The Ornate Zither,The Untitled, Plot,Story