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《聊斋志异》梦境艺术探析

An Artistic Study of Dreams in Strange Tales from the Carefree Studio
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摘要 在《聊斋志异》中,透过"花妖狐鬼"的魅影,蒲松龄描绘了一个个神奇瑰丽、亦真亦幻的梦境。虚化梦境的背后,实为对现实的影射和象征。《聊斋志异》借梦境再现社会现实,衍化百态人生,使其在文言志怪小说中独树一帜。文章从现实性和艺术性对《聊斋志异》的内容和特征加以探究,寻求其浪漫主义特征背后的现实主义精神。 Through the images of demons and ghosts, PU Songlin presented many magic and magnificent stories in his famous works named Strange Tales from the Carefree Studio. However, these unreal stories greatly reflected the real society at that time. Strange Tales from the Carefree Studio reflected the social life and reality via dreams, which was quite unique in the same type of works in that era. This article, from the perspectives of reality and art, explores the spirits of realism in this works as well as its contents and characteristics.
作者 吴小琳 WU Xiaolin(Tongcheng Teachers College, Tongcheng Anhui 231400, China)
出处 《乐山师范学院学报》 2017年第2期25-29,共5页 Journal of Leshan Normal University
基金 2014年安徽省精品资源共享课程"大学语文"(项目编号:2014gxk096)
关键词 《聊斋志异》 梦境 现实性 艺术性 Strange Tales from the Carefree Studio Dream Reality Artistry
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