从实物到象征——丧葬世俗化转向下的四川宋代画像石室墓装饰

From Object to Symbol: The Decorations of Song Carved Stone Tomb in Sichuan Area moving toward Secularization

花卉、侍者、四神、墓主人像、神禽瑞兽等四川宋代画像石室墓装饰主流图像题材,在墓葬中的配置存在规律性,形成较为稳定的图像配置模式。在丧葬的世俗化转向下,为了贯彻孝道使祖先永为供养,同时也为了规避厚葬所带来的盗墓风险,宋人选用具有"永固"象征意义的材质为载体表现具有象征意义的图像组合,以象征的手法为先人营造延续各种现世享受的死后世界,但这种贯彻孝道的行为也具有"互利"的考量,希望以此获得先人的保佑延福子孙。

The main stream of decorations of Song Carved Stone Tomb in Sichuan area including flowers, servants, four gods, tomb owners and mythical animals, regularity in composition. Under the trendy movement toward secularization for funeral system, Song people used material which contents symbolic meaning of ＂etemal＂ as the carrier to arrange images, in order to make a solid and eternal space for the dead. Their purposes are not only worship, but also hope to receive blessings and rewards from their ancestors.