一苇轻航挟江来——由何朝宗《渡江达摩》瓷塑造像说开

A Ship is Coming from the River——Comments on the Ceramic Sculpture "Ta-mo Who Crossed a River" from He Chaozong

本文以明代德化窑烧造的何朝宗《渡江达摩》白瓷塑造像为引于,谈及中国瓷塑造像的发展概况,并对宋元明时期的达摩绘画造像略作整理,再进一步探讨《渡江达摩》的艺术魅力,并解读了达摩瓷塑的造型特色;最后,从瓷塑釉色、修饰手法及塑烧技艺角度,再次肯定《渡江达摩》对现今德化窑白瓷塑造像烧造的影响。

This article introduces the ceramic sculpture ＂Ta-mo Who Crossed a River＂ from He Chaozong, discusses the development of Chinese ceramic figure, and organizes the files about Ta- mo images of Song, Yuan and Ming Dynasties. This article further explores artistic fascination and modeling features of this sculptural work.The great effect on glaze colors, artistic expression and workmanship is conceded to Dehua white ceramic figure in nowadays China.