《晦庵先生朱文公文集》乐论研究

Research on the Music Theory of Zhu Xi's Collections

作为理学家的朱熹精通音乐,《晦庵先生朱文公文集》中存在大量的论乐文字,这些论乐文字散见于文集中的各种信件、序文、杂著,既有抽象的形而上的音乐本体思考,也有具体的形而下的专门技巧的探讨。它们是朱熹在音乐艺术领域的理论探究和实践经验的总结,也是朱熹整个理学体系在音乐中的表现。研究朱熹乐论,不仅可以了解朱熹的音乐成就,还可窥探朱熹理学思想和传统乐论之间的互动。

As a philosopher, Zhu Xi is adept in music. There are a lot of music comments in Zhuxi＇ s Collection. These words are widely distributed on various music scattered in Zhu Xi＇ s letters, prefaces and essays, not only abstract metaphysical thinking about music ontology but also discussion on the special physical skill. They are Zhu Xi＇ s theoretical exploration and practical experience in the areas of music and art, and they are also the performance of Zhu Xi＇ s whole theory system in music. Study on Zhu Xi＇ s music theory not only can understand Zhu Xi＇ s musical achievements, but also can spy into the interaction between Zhu Xi＇s Neo-Confucianism and traditional music theory.