论谍战剧《潜伏》“平实化”的艺术追求

The Artistic Pursuit of Populace-orientation in the Spy Drama Lurk

《潜伏》是谍战剧的精品,它采取"平实化"的叙事视角:人物形象的正常化,即正派人物与反派人物的非类型化、非脸谱化;人物语言的通俗化,即多种语气词、多种修辞手法、俚语俗语、调侃幽默的灵活运用;战斗场所的生活化,即战斗环境被拉回到日常的生活起居场所,从而还原特定时代背景下的人物、环境,以其真实可感性,引起受众的共鸣。

This article mainly deals with the populace narrative perspectives of Lurk, one of the best-quality spy dra- mas in China. In Lurk, the normalization of characters, the popularization of the characters＇ language and the real life scenes of combat environment, can reproduce the people and contexts in the background of a particular era, and cause the audience＇s resonance with its sense of reality.