从戏剧论看微信表演

On WeChat Performance from the Perspective of Drama

微信将虚拟社交表演的舞台从戈夫曼的现实生活转移到了掌上移动终端。微信戏剧表演的角色多样,表演者根据不同的目的采取了对应的表演方式,呈现出戏剧化的表演特性。这看似与传统的面对面社交中的表演大相径庭,但追根到底,虚拟社交中的自我呈现都逃离不了现实的束缚。虚拟社交是现实生活的镜子,又是人类心灵的放映,在进行虚拟社交时切勿过多娱乐,要注意表演舞台,区分虚拟场景与现实生活。

The virtual social stage has been transferred from Goffman＇s real life to the handheld mobile terminal by WeChat. The role of the WeChat drama is various. According to different purposes the performer takes corresponding performance mode, showing the dramatic performance characteristics. It looks like quite different from the traditional face -to- face social performance. While ultimately, self- presentation in the virtual social cannot escape from the reality. The virtual society is not only a mirror of the real life, but also the screen of human soul. We should not enjoy too much entertainment when we communicate in the virtual social, and pay attention to the stage to make a difference between the virtual scene and real life.