摘要
经驻清公使夫人康格提议,美国女画家卡尔为慈禧绘制了肖像画。这幅肖像画先是被送往1904年圣路易斯万国博览会展览,后赠与美利坚合众国政府。对慈禧而言,一方面这是向西方展示其权力的绝佳时机,同时也是一种重塑国家形象的政治外交战略。作为肖像画的"身体"由此被赋予了一种新的政治性。
Proposed by the wife of Ambassador of United States, Sarah Pike Conger, the American artist Katharina Carl fin- ished a portrait for Cixi. The portrait firstly sent to 1904 St. Louis World＇s Fair for exhibition, then as a gift to The United States of America. For Cixi, the making of the portrait means a chance showing the political power to the western country, meanwhile as a strategy to rebuild the image of Qing government. The portrait as the ＂ body＂ was endowed with a new political character.
作者
唐卫萍(译)
宋武全(校)
Toru Yusa tr. TANG Wei-ping rev. SONG Wu-quan(Graduate School of Humanities and Social Sciences, Okayama University, Okayama, Japan Institute of Art Education Hangzhou Normal University, Hangzhou 311121, China)
出处
《美育学刊》
2017年第2期63-71,共9页
Journal of Aesthetic Education
关键词
慈禧
圣容
政治身体
权力
Cixi
Sacred image
political body
power
